Susie on Remaking History:
In 2009, I made a work called Road Trip, with my longtime artistic colleague Linnea Swan. We co-created and performed the work together, and it was a wild ride. Linnea and I had wanted to work together for a long time. Our artistic histories were intimately linked. We trained at the same professional school, danced for the same choreographers and companies, and had performed the same roles. We had known each other for fifteen plus years. And we shared similar perspectives and interests around performance and its relationship to audience.
Susie Burpee and Linnea Swan in a rehearsal for Road Trip. Photo by Kevin Konnyu |
We wanted to use our shared artistic history as source and
foundation for the work. But we weren’t
interested in retelling our history verbatim.
We felt that if we could find a way to repurpose our stories, we might
be able to create a new narrative that would give greater meaning to already
existing themes and ideas.
So we first gathered an arsenal of ‘moments’. Pieces of choreography we had danced (we got
permission), snippets of conversation, and other gestures and events that were
somehow significant in our journey together.
Out of context and without understanding the back story, these bits of
abstracted information would be a mystery to anyone but us. We needed to find a way that we could put
them together to create something understandable.
Susie and Linnea in rehearsal. Photo by David Tilston |
Linnea and I made an important discovery in the process. The picking apart of important stories somehow removed the ‘preciousness’ of particular events. Or perhaps, more importantly, it removed our own point of view about the implication of said event. In this way, it liberated the moment to become something useful for creation. The moment could take a different shape or color in different contexts. And importantly for us, it could become both tragic and comic.
This workshop, Remaking History, employs the same process used in the making of Road Trip, which eventually became a two-part work. The first half, created in 2010 for the Canada Dance Festival, had the feel of a ‘whodunnit’. Events happened in strange succession and eventually ‘added up’ to an understanding of the world and these two characters. In 2012 we created the second half and premiered the entire work at DanceWorks here in Toronto. The new half was created as a deconstruction of the first half – a deconstruction of a deconstruction, if you will. It was self-referential in the sense that it looked at the actual making of the work - with a distinct lack of reverence.
Remaking History is a workshop for makers and interpreters of theatre and dance, and runs July 21 - 22, 2014 at the Volcano Conservatory. To reserve your spot email natasha@volcano.ca.
Watch an excerpt of Road Trip...
Watch an excerpt of Road Trip...